FOLK MUSIC 2.0 BLOG: LOOKING AHEAD

We seem to be on the edge of a paradigm shift. Orchestras are struggling to stay alive, rock has been relegated to the underground, jazz has stopped evolving and become a dead art, the music industry itself has been subsumed by corporate culture and composers are at their wit’s end trying to find something that’s hip but still appeals to an audience mired in a 19th-century sensibility. – Glenn Branca, NY Times

We are living through an amazing time in the arts, the beginning of an epoch. Artists of all types, (even those of us with limited resources), have access to tools that hadn’t been dreamed in the “golden era”, fabulous instruments musical and technical. Everything has changed- the playing field, the game, the players.  This presents us with a challenge, but luckily we threw the rulebook out with the old game.

We must seize this moment. WE THE PEOPLE, the artists, the musicians, the dancers, WE can write the new rules, and take back our art from the puppetmasters. We can go around their weakened forces, directly to our fans.

We are talking  revolution, here, and what the new post.alt music business 2.0 will look like.  If anything is certain, it’s that you will be in control of your art and your business if you intend to survive- and you will be using any and every tool available, to make your music and to get it into the ears of your listeners, wherever they are.

I won’t go too deeply into music production tools (although there may be a bit about the Death of Autotune (2009), sticking mainly to the marketing and distribution of your “product”, the micro-business of you or your band.

Yamaha CX5M, c1984

Yamaha CX5M, c1984

Musicians were early adopters of computer tech. It all started, for me with a Yamaha CX5M in 1984, hooked to a DX7.  The evolution to an Atari ST in ‘85 and an internet connection was logical and orderly, and I had email (Compuserve, 1987!) for about a year before I had anybody to email to.  But I knew then, it was something that could be leveraged, a huge network I didn’t pay for, a pipe of ever-growing size from my computer to yours! Practically free, I could send a song for a song, and it changed my life.   The wires  and the satellites are  there, we can use them willy-nilly. How do we do that? How can we make the most of it?

Answering this and looking ahead, this is all about surviving in the real world by utilizing the virtual world.

Guaranteed Pundit-grade or Better Opinion and Consultation, Right Here! Read more

Sivers and Godin, on “Spreading Music”

Seth Godin recently responded to some good (not great, maybe, but pretty good) questions about our topic, the future of music on Derek Sivers’ blog (CDBaby Daddy- note that sivers.org, does that mean he’s an organization or just more organized than the rest of us org-less schmucks?)- I found this bit particularly interesting:

Get over the idea that your success is equated with selling the right to listen, or selling control over when people listen. Relinquish the opportunity to make money by controlling who can listen and when. That’s gone. It’s over. It would be like a bakery selling the right to sniff the fresh bread or a wine maker selling the right to look at the cool label. It’s now a public good, something you see as you walk by.
What you can sell, what you better be able to sell, is intimacy. It’s interactions in public. Souvenirs. Limited things of value. Experiences. Memories. People will pay for those things, IF: your art is actually great and if you make it possible for them to buy them.

Get over the idea that your success is equated with selling the right to listen, or selling control over when people listen. Relinquish the opportunity to make money by controlling who can listen and when. That’s gone. It’s over. It would be like a bakery selling the right to sniff the fresh bread or a wine maker selling the right to look at the cool label. It’s now a public good, something you see as you walk by.

What you can sell, what you better be able to sell, is intimacy. It’s interactions in public. Souvenirs. Limited things of value. Experiences. Memories. People will pay for those things, IF: your art is actually great and if you make it possible for them to buy them.

“Like a bakery selling the right to sniff the fresh bread” he says,  but of course smelling is not the same as consuming. You buy the bread, you eat it, it’s gone, period.  Paintings, he notes, are often free to “experience”, and while it may not be as “filling” as owning the art, you can stand next to the owner of a painting and get the same enjoyment. Music is different, as he points out, not like bread, not like a painting.

Salvador Dali once said the difference between one of his original paintings and a good reproduction was the price. Stand back a few feet, you can’t tell the difference.  So what’s the difference between you standing up and spilling your guts out in front of an audience to an audience listening to a “reproduction” of you, say on CD? We all know the CD will probably sound better, but still, there is no comparison, nada, zilch. They are like apples and tennis balls, completely different items.

So what does it mean? You gotta eat, assuming you don’t have a patron, so how do you price your art and make a living? What’s the business model?  Seth says you can sell ‘intimacy’, which is a pretty good (but maybe not great) word to describe what we do in front of a crowd. (Some musicians get by creating ‘amazement’ in their listeners, with technical prowess, we’re not talking about that)

It’s not a lonely art; it may start that way, but eventually it has to go out into the world, with the people, with your friends, for your friends.  Let’s pick, as we say.
PS
Painting: visual art
Bread-making: culinary art (craft??)
Music: performing art

Links, Links, Links

A chapter from Folk Music 2.0: Better odds through science.

One thing you’ve got to admit, the internet is what we call reality-based even if the reality is virtual.  And it’s based on science, isn’t it? Acts logically, mathematically, to make it all work. You want better odds on being heard, an increased chance of success, so put SCIENCE ahead of ART for a few minutes and consider this:

Go to Google and start typing. But just one letter, say A. Whoah. What do you see? I get Amazon, AOL and American Airlines suggested to me. Mind you, you may get different result, especially if you are logged in to, say, a Google account; they know everything about your browsing habits and will attempt to choose what their computer’s think you are looking for. But no matter, Google is still using science to make those suggestions.

OK, so what? Well, let’s examine how they come up with these suggestions.  If you want to do any testing (you know, the scientific method), log out of any account that might affect your searches, again, especially google. You also might want to delete your browsing history. This takes any ‘user bias’ out of the equation (notice how we can smartly bandy these math terms about)- try the A test again.  I still get the same big three, and I bet I know why. There are 671 million reasons for Google to pick Amazon first, as that’s how many LINKS they found for that term. What’s more, I can see from Google Keyword Analytics that 83 million people a month search for that term. They are just laying odds that Amazon is likely to be what you are after when you start typing with an A. Number two, AOL, as you might expect, has lower numbers than Amazon, take my word for it or check for yourself.

Get to the point! Read more

Let efolkMusic Promote Your “Concertcast”

Broadcasting an event over theInternet (webcasting) used to be a HUGE deal.  Getting live video and audio distributed to a larger audience required the ‘caster to have a big “pipe” to serve many streams at once, but now days anyone with a decent high speed connection can get it out to any and all with one of the new services like ustream.tv.

A game-changer for traveling AND stationary pickers.

The email came from from Massachusetts folk-rocker Erin McKeown, and announced a series of house concerts, with a twist. She’s webcasting the shows using a new service, ustream.tv. The service allows anyone with a webcam and a mic to broadcast live “TV” from wherever to an unlimited number of viewers- and if you have higher production values (lights, good sound, nice video cameras, duh) it looks and sounds fabulous! The best part is that she is selling tickets on her website (through paypal, $10) and sending ticket holders the URL and a password just before the show to give them access.

Her press says she is “inviting you into her living room, onto her porch, into her river, and into her yard” and I’ll be shocked if she doesn’t make some money on this. I’m not trying to sell tickets for her (although I wish her luck and will be curious as to how it turns out), but this is just such a great concept, I had to tell you about it. I suggest you get your email lists up to date, sign up at ustream, and produce a concert.

efolkMusic wants to help artists and producers get the word out when a concertcast of interest to our community is happening, so please write us and we’ll let our 9,000+ newsletter subscribers know: concerts@efolkmusic.org

Pretension, Play-acting, Posturing

Pretense is firstly “an allegation of doubtful value” (MW).  I’m a huge fan of Orhan Pamuk- there’s a guy who is very interested in pretense, and the eternal quest to find out who he really is, not who one thinks is or would like to be. He says we go to the movies and own a lot of useless stuff to gain a few moments (or hours, or a lifetime) of respite from our “selves”, diversions to avoid thinking about who we really are. It’s a primary theme in his books- it may be THE main challenge for any artist.

Pamuk is from Istanbul, and his stories are laced with pashas and sultans,  high rankers in the Ottoman Empire.  They are forever disguising themselves and escaping the palace and trappings, eager for some honest interaction and  a break from being the living projection of their subjects.  They wear a costume and play a role as a commoner, to find out who they really are, and then return to the palace to resume their full-time gig, acting the royal role. Read more

Do the Math

Sources: Rolling Stone Magazine, US Dept of Energy, overthinkingit.com

Sources: Rolling Stone Magazine, US Dept of Energy, overthinkingit.com

This little chart comes from overthinkingit.com, and shows peak oil production in the US about 1965, charted against Rolling Stone’s list of the "500 Greatest Songs of All TIme"; this is not just rock, we’re talking great songs (#1 is Bob Dylan Like a Rolling Stone, FYI). You can’t dispute the oil numbers, but it’s IMPOSSIBLE that songwriting quality declined as pictured- and ignores some of the best songs ever written, just because nobody’s heard them??? What did they do, find a hundred boomers and take their word for it??

Blogging the Future

If you walk too quickly through automatic doors, expecting them to open as usual, you may be making a false assumption. Pay attention

Blogging the Future

Cause that’s what you really want to know about.

-gl

Marketing Mistakes 101- Chapter 1

The One-hit Wonder

You know ‘em, you love ‘em, but you don’t remember them: artists who had one hit and went away forever. That’s because marketing, like comedy, when it’s effective, comes in threes. Whether the product is an album, a concert ticket, or a booking, one “impression” does not a sale make.  Sure, once in a while you do get caught by a single event that is so extraordinary that you are moved to action, but that is a rare exception, and we’re trying to get consistent results.

Three impressions in a short amount of time. Why three? How long is a “short amount” of time? To tell the truth, I don’t know why, why, why, it just is, as Van Morrison says (Using 3 whys…). OK, four is better, forty even better, just don’t put all your chips on ONE or TWO. As for the time period for the impressions, the quicker the better, as the “spin” speed is higher. Read more

Going Around the Blockage

This no-brainer of a strategy comes straight out of the Republican playbook, and you’ve got to give them some credit- just use it towards better ends, please. I did music for a documentary on Jesse Helms a few years back, and spent quite a few hours listening to Jesse’s henchmen describe how they put Senator No into office and kept him there for years. The smart guy was Richard Viguerie, a long-time politico/marketing genius, credited with “inventing” direct mail marketing. He holds up his left hand, back to camera, and then describes going “around the blockage of Dan Rather, CBS news, the NY Times, the liberal media”, his right hand moving around the left, like a shark going for the kill- “straight to the voters”  with his direct mail appeals.

That’s what the modern musician can do, if he/she/they can leverage the internet, really use the tools that are available- and there are plenty- to get and keep fans. Who are you trying to reach? Where are they hanging out? At a nearby club? At the country club? In front of their computer??

Answer one question at a time, add your own, and stay tuned!

Pioneered political use of computerized direct mail. That technology was the Internet of its day: it enabled conservatives to get around liberals’ dominance of the mass media; it allowed thousands of conservative candidates, organizations and causes to get their messages to grassroots Americans. – RV

e-books for musicians….

There’s no room in the mini-van for a maxi-book collection, and there are some great ebooks available aimed at the working musician, on every aspect of the player’s life. We’ll keep you up-to-speed on the latest.

The famous “Dummies” series has an excellent home recording ebook, with a definitely dumb title,  Home Recording For Musicians For Dummies. You don’t have to be dumb to get something out of this one-

Info includes:

  • Create a studio around your budget
  • Direct signal flow to maximize your sound
  • Apply the best microphone techniques
  • Use compressors and limiters properly
  • Build a space for optimum mixing

Get it here…